Writing True Stories


Patti Miller has created the complete guide to writing autobiography, memoir, personal essay, biography, travel and creative nonfiction

Great cover design!

People who have attended Patti Miller’s highly rated memoir-writing workshops have recommended this book to me to me more than once. I’ll admit to not having read it cover to cover yet. But I want to approach it like a course in creative nonfiction writing and work through it systematically.

Writing True Stories grew out of writing workshops the author ran at Varuna, the Writer’s House in Katoomba in the Blue Mountains. And this shows in its practical approach, as it is written as a series of workshops, covering sources, voice, structure, narrative and style and editing.

Take the masterclass

Part Two consists of masterclasses that extend the skills in the first part. It deals with genre: memoir, creative nonfiction, essay and more. The last (brief) chapter is about publishing. Miller writes about commercial publication and self-publishing and how to present your work to agents and publishers. Although there’s a lot more that could be said about publishing, that’s best left to a another book.


A reading list and a page of useful contacts rounds out Writing True Stories. I can’t wait to get started on honing my skills before I get my project, now at the research stage, underway.

Who Touched Base in My Thought Shower?

A Treasury of Unbearable Office Jargon

By Steven Poole

We hate it, we laugh about it, and then sometimes we hear it come from our own mouths. The horrible jargon that was once confined to office life slowly ekes its way into everyday language. So ‘leverage’ started in high finance, and now it’s everywhere. The first time I heard somebody say they’d ‘reached out’ to a colleague, I was alarmed; now I think I might have said it in a meeting, once. I’ve created a list of alternatives for some of the worst words.

An A to Z of unbearable jargon

I bought this book because I do find office jargon unbearable. I also love a good laugh, and this provides an A to Z of amusing entries. Here’s one of my favourites.

Going forward helpfully implies a kind of thrustingly strategic process, and moving forward perhaps even more so – even though none is likely to be made as long as the work-day is made up of funereal meetings where people say things like ‘going forward’.

Who Touched Base in My Thought Shower, p. 91

The alternatives to ‘going forward’, ‘in future’ or ‘from now on’, don’t have the implication that the slate is being wiped clean. Using them might sound rather like owning up to a mistake. ‘We won’t charge dead customers in future’ has a different ring to it.

If you write in your job, get your hands on this book. Every time you want to use a tired office cliche, such as bandwidth, leverage or deliverables. You’ll find an alternative. Or if you work in an office and want to know what a brown-bag session is, or what they really meant by saying they would ‘open the kimono’, look it up.

Then circle back to me with your favourites.

Mark Tredinnick’s Little Red Writing Book

There are many books, courses and workshops that teach writing. I’ve found many of them inspiring, motivating and full of great tips. For my money, this book is the best.

I’d advise anybody who wants to write better to sign up for a face-to-face course in the first instance. In Sydney, Writing NSW and the Australian Writers’ Centre both offer excellent courses on a range of genres, both creative and for business purposes. Varuna in the Blue Mountains has wonderful literary programs. In any face-to-face course, you’ll benefit from the interaction with other writers as well as from the course content.

Great add-on to a face-to-face course

The Little Red Writing Book is a great add-on to any writing course. And if you can’t do a course in person, it’s an extremely good substitute. It’s approach is that good sentences are the basis of all good writing. Any writing, from business reports to scripts for your podcast, starts with sentence construction. Clarity is vital, style is everything.

Tredinnick writes both clearly and poetically, so working through The Little Red Writing Book is a joy. It has plenty of writing exercises (do them!) and examples, and processes to help you get your writing project out of your head and into shareable form.

There are six chapters. Try setting yourself the goal of working through one chapter a month. By September you will be a much better writer, guaranteed.

The Little Red Writing Book has a sibling: The Little Green Grammar Book. Catch up on everything they should have taught you in school.

Between You & Me: Confessions of a Comma Queen

by Mary Norris


I bought this book because a copy editor wrote a 200+ page book and it made the New York Times bestseller list. And because through it I learned that there is an Apostrophe Protection Society with a really ugly website and a chairman. And I can’t resist an editorial style guide.

Mary Norris is a copy editor with The New Yorker, and has worked there since 1978. She turns her vast, enviable experience into a funny and fascinating encounter with language. In her investigation of why Moby-Dick is hyphenated, she describes ‘…that immortal hyphen, stuck like a harpoon in Melville’s famous title…’. She has a whole chapter devoted to profanity, called F*ck This Sh*t. Sometimes you need to know how to handle that stuff.

I love her approach to language: precise, but not pedantic. I learnt so much about the origins or words, the uses of various arcane punctuation marks, and what a dream job working at The New Yorker is, and had a whole lot of fun doing it.

PS: Her new book, Greek to Me  will be published in April.

8 things an award-winning author can teach you about being a writer

Mark Brandi is the author of the award-winning novel Wimmera, described by one reviewer as ‘a dark and disturbing story from a substantial new talent’. It’s both a crime thriller and a coming of age story, set in rural Victoria. Recently he discussed what it’s like to be an author at a wonderfully relaxed session at Varuna the Writer’s House in the Blue Mountains.

Picture of cover of Wimmera by Mark Brandi

Wimmera by Mark Brandi

1. It’s true: write what you know.

This maxim holds if you want your work to be the best it can be. Wimmera’s closely observed reflection of small-town life feels all the more real because the author grew up in rural Victoria. He captures both how free this life is for kids, who can go yabbying and stay out until dark; and how claustrophobic it is for adults when the world closes in on them. He also draws on his experience in the criminal justice system as an advisor to the police minister, and the experience of his three brothers, all of whom work in the police and justice system. But remember, you don’t have to have experienced every single thing you write about either.

2. Find a way – and it might be unconventional.

Mark gave up a full-time job as a policy advisor, enrolled in a writing course and – wait for it – WON $50,000 ON MILLIONAIRE HOTSEAT!* And by guessing the final answer! He could have ignored the entry form his brother sent him, but instead, without telling anybody, he applied for this most unlikely source of literary funding for his new life as an author. He doesn’t suggest you give up your day job, but the point is to make it happen if you’re serious about being an author. Find an hour a day or a couple of hours at the weekend. Join that writer’s group. Apply for those residencies that will give you some time out to focus on your writing.

3. Use the support and inspiration that’s out there.

Attend courses and writer’s festivals. Take a look at everything Varuna has to offer, from one-off events to fellowships. Two residential fellowships at Varuna helped Mark to develop the manuscript for Wimmera. Join Writing NSW. See what the Australian Writers Centre has on offer.

4. You can start with a short story.

Mark’s book began as a short story called To Skin a Rabbit (click to listen to the RN audio version).  Two of the main characters in the novel continued to haunt him after he had written the short story. He pursued them, and Wimmera is the result. Often aspiring writers are told to focus on either novels or short stories as their demands are so different. Break the rule. If finishing a short story will inspire you to get that novel out, go for it!

5. Enter competitions and awards.

If nothing else, it will give you the discipline to work to deadlines and get your writing finished. You may even win! Plus, you will attract interest from publishers if you are shortlisted. When Mark won the 2016 Debut Dagger, publishers contacted him. But…

6. Get used to rejection.

Don’t take it personally. Use any feedback you get to learn and to improve your writing. Mark submitted his book to different publishers and programs and got plenty of what he described as ‘nice rejections’. Some of them contained useful feedback, which he took into account as he reworked Wimmera. Instead of regarding rejection letters as negative, consider what they have to say and try to act on the feedback. Publishers may say no for a range of reasons, and many of them have nothing to do with the quality of your work. Keep going.

7. Enjoy the editing process.

I know, it can feel a bit like the teacher got out her red pen and pointed out all your errors, but editors bring perspective and loads of experience to your work as well as fixing your grammar and punctuation. Mark described how an editor researched and corrected details in a scene in which he described a cricket match on TV in the background to a scene in Wimmera. You can be sure one reader will be an expert in almost anything you write about and errors undermine the quality and credibility of an author’s writing. I recently read a book which had the name of one of my uni mates spelled incorrectly. It’s not hard to check that. My reaction was to wonder what else in the book was inaccurate. A good editor will fact check everything as well as look at the broad scope of your work, switching between a sweeping overview and a microscopic focus on detail

8. Revel in being an outsider and an introvert, if that’s what you are.

Mark was from the only Italian family in town. School was tough and he was bullied and excluded. But, as he said it, the excluded tend to be sharp and thoughtful observers. Use what you see and hear around you every day to inform your characters and your stories. Mark does this so well, conveying how children cannot and do not understand adult motivations, how the adult world is inscrutable to his characters in boyhood, and using this point of view to drive the narrative in Wimmera.

Varuna The Writers' House in Katoomba

Varuna Writers’ House

I learned so much from Mark Brandi’s generous sharing of his experience at Varuna’s Open House Day. There were other sessions, including one that explained Varuna’s programs and included a speaker from the Australia Council who fund writers and writers’ organisations. Above all, it inspired me to stop dreaming get back to my desk and write. I hope these 8 tips help you do the same.

*Writer Melissa Lukashenko also won big on Millionaire Hotseat. Read about it here.